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'Storm' was originally released in 1988 is the third reissue from Fire Records. It features the popular single 'Uneven Light Of Day' and a cover of Robbie Robertson's 'The Weight'. 'Giant Sands is a mood,' says Howe's of Giant Sands, as if trying to offer a low-key explanation for his dizzying array of artistic exploration that includes a back-catalogue of some 40 albums as a singer, band-leader and producer. After growing up in Pennsylvania in the 1970's, it wasn't until he moved to Tuscon, Arizona that he met his musical soul mate, the guitarist Rainer Ptaceck. The two formed Giant Sandworms and issued only a handful of recordings before the worms were put to rest: since then, Giant Sand have released 24 albums - an impressive haul when considering Howe's equally prolific output under other projects including Black Ranchette and Arizona Amp & Alternator as well as his solo releases.

Find album reviews, stream songs, credits and award information for Storm - Giant Sand on AllMusic - 1988 - With Storm. Giant Sand Storm. AllMusic Rating.

2010 marks the 25th anniversary of Valley Of Rain – the debut album by Giant Sand and Fire Records is proud to announce the start of a Giant Sand/ Howe Gelb series. Giant Sand Storm on Import LP. Giant Sand’s third album, Storm, was originally released in 1988, It is now re-released on HQ vinyl on Fire Fidelity.

Howe, though, is definitely not content to rest on his laurels. Giant Sand's 2000 album Chore Of Enchantment has been declared one of the Best 1000 Records Ever Made and scooped up plaudits from NME and The Guardian amongst others, with the former insisting the record cemented his reputation as 'a founding father of modern Americana'. His most recent solo project, meanwhile - 2006's 'Sno Angel Like You - earned a 5 star review in Mojo and was described by Q as 'showcasing an immense generosity of spirit and poetic warmth'. Rather than retrospect, then, this is a time for celebration. Howe and his band marked the 25th anniversary of the release of Valley Of Rain by hosting a very special evening of brand new collaborations and performances.

They played some of their choice cuts from their back catalogue, and were joined by Kristin Hersch, guitarist and founder of the seminal art-rock band Throwing Muses. 'I'll jump at any chance to be on stage with the wild and wacky, kooky and cozy Howe,' says Hersch. 'With Howe, I never know exactly what will happen, but it's always great to be a part of it.'

Sandstorm

Limited edition colour vinyl LP is pressed on split colour blue and black vinyl. One of Entertainment Weeklies 100 Best Soundtracks Of All Time. A precursor to Lynch’s Twin Peaks and Mulholland Drive, Blue Velvet sets a template for ethereal noir soundtracks in a modern, quite disturbed age. “The shock of the new fades by definition, but it has hardly done so in the case of Blue Velvet.” Dennis Lim, Salon, 2016 'The haunting soundtrack accompanies the title credits, then weaves through the narrative, accentuating the noir mood of the film.' - John Alexander, The British Film Resource You know that feeling you get when you’re shook awake in mid-dream?

You were teetering on the ledge of a building, or maybe trying to free a butterfly from a spider web while wearing cricket gloves? Perhaps you’re running late for a train and your short cut takes you through a bad part of town, you’re being followed but the ever changing reflection in the shop window is a younger you, a healthier person – with a better hairstyle. It’s an anxiety thing, an off-kilter almost world, best summed up on the soundtrack for Blue Velvet, David Lynch’s 1986 film that nods somnambulantly to the shadowy netherworld of film noir. Oedipal fantasies, finding a severed ear on your way home, voyeurism, crime and retribution, violence; they’re all there in abundance in the movie, a rotten sleazy commercialism set off against a set of strange situations that the edge of the seat is never far away from. And what soundtrack would suit such an experience? Of course a mix of orchestral pieces from composer and conductor Angelo Badalamenti inspired by Shoshtakovich’s 15th Symphony (which rumour has it Lynch played onset to create the ‘mood’) mixed up with trashy Hammond-led boogie and overblown baroque pop from Roy Orbison and Ketty Lester, suitable for any dive’s jukebox.

That awkward mix plays itself out in Isabella Rossellini as Dorothy’s rendition of the song ‘Blue Velvet’ that melds beautifully and indeed hauntingly into ‘Blue Star’, a broken piece of vintage pop. Similarly, the track ‘Going Down To Lincoln’ with its narrative audio shtick takes all of the previously-mused elements to create a perfectly disjointed travelogue. The soundtrack album starts with Bernard Hermann-styled Hitchcock-esque strings and violin slashes, which dally before deconstructing the themes and motifs into a disturbing procession that climaxes with Julee Cruise’s funereal ‘Mysteries Of Love’, a fittingly titled epilogue to an epic that concludes with the hero’s true love’s reality of a simplistic birdsong dream from earlier in the film. It’s a cyclical trip that feeds directly back to the beginning and, yes, there’s that severed ear again, now ant infested laying on the ground, proving that dreams become real, or is it reality that becomes a dream? Tracklisting: 1. Main Title 2.

Night Streets / Sandy And Jeffrey 3. Jeffrey’s Dark Side 5. Mysteries Of Love (French Horn solo) (a) 6.

Frank Returns 7. Mysteries Of Love (Instrumental) (a) 8. Blue Velvet (b) / Blue Star (a) - Montage 9. Lumberton U.S.A. (a) / Going Down To Lincoln – Sound Effects Suite 10. Akron Meets The Blues 11.

Honky Tonk Part I (performed by Bill Doggett) 12. In Dreams (performed by Roy Orbison) 13.

Love Letters (e) (performed by Ketty Lester) 14. Mysteries Of Love (a) (Vocal by Julee Cruise). Remastered by Bob Weston and featuring new liner notes by MAGNET magazine editor Eric Miller, physical copies of Vee Vee includes sixteen bonus tracks and new cover art re-imagined by graphic artist Jay Ryan. Reissues of All the Nation's Airports and White Trash Heroes followed later in 2012.

The first full-length produced by Bob Weston, Vee Vee was a slight departure from the previous bombastic noisepop that characterized Archers of Loaf's previous work, and it proved that the band wasn't just a flash in the pan. The album became their best-selling album to date and landed them on the covers of most fanzines and at the top of college radio charts across the country. 'Harnessed in Slums' and 'Greatest of All Time' became anthems of the underground and led to successful tours with the Flaming Lips and Weezer.

Step into the Light 2. Harnessed in Slums 3. Nevermind the Enemy 4. Greatest of All Time 5. Underdogs of Nipomo 6. Floating Friends 7. Nostalgia 10.

Let the Loser Melt 11. Death in the Park 12. The Worst Has Yet to Come 13. Underachievers March and Fight Song CD 2: 1.

Harnessed in Slums (Bob Weston Radio Mix, 1995) 2. Telepathic Traffic (Bonus) 3. Don't Believe the Good News (Bonus) 4. Smoking Pot in the Hot City (Bonus) 5. Mutes in the Steeple (Bonus) 6.

Mark Price P.I. Bacteria (Bonus) 8. Equinox (Bonus) 9. Big Joe and Phantom 309 (Bonus) 10.

1985 (Bonus) 11. Fabricoh Worksong (Bonus) 12. Nostalgia (Bonus) 13. Let the Loser Melt (Bonus Demo) 14. Underdogs of Nipomo (Bonus Demo) 15.

Nevermind the Enemy (Bonus Demo) 16. Don't Believe the Good News (Bonus Demo).

Storm

New Zealand/New York City legends Bailterspace, offer up their best album to date with their first new recordings in 13 years. The band were once described by Pitchfork as 'simultaneously beautiful, jagged, atonal, and supremely melodic' and 'Strobosphere' emerges at a time when the band's trailblazing sound has never been more relevant. Revered as one of the loudest and most intense live bands of all-time, they haven't lost any of their bite or their love of tone, dissonance, and melody.

Giant Sandstorm

The first single 'No Sense' darts, snaps and swirls with alternating snare cracks, atmospheric surges and dirty buzz, featuring Parker's distinctive vocals. 'Peace on Venus' by Philadelphia's foremost purveyors of psychedelic rock, Bardo Pond.

Sand Storm Florida

Delving deep in to their subconscious to bring it to the conscious, the band again dazzle us with their gift for heavy riffs laced with soaring vocals and swathes of sound. The recording process of 'Peace On Venus' used the principle of the Quintessence, which is a principle cited by the 16th Century physician Paracelsus, who noted: 'Nothing of true value is located in the body of a substance, but in the virtue thereof, and this is the principle of the Quintessence, which reduces, say 20 lbs. Of a given substance into a single Ounce, and that ounce far exceeds the 20 lbs. Hence the less there is of body, the more in proportion is the virtue thereof.'

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